Professional Practice
At the heart of
Illustration is the requirement to work to commission for a client - visually
interpreting a message they want to convey to a particular audience in a given
context. Throughout this
module our students respond individually or in teams to a range of creative
Illustrative/image-making tasks.
We run an assignment titled 'Competitive Spirit' which is delivered in two stages: The Great Editorial Race followed by selection and completion of National/International Competition briefs.
The Great Editorial Race - where teams work together across 21 days to complete professional mock-ups of 10 editorial illustrations all to win some illustrated pounds and chocolate coins!
Megan Rodger's illustrate's Jools Holland
while Briony Cloke illustrates Camila Batmanghelidjh
Sasha Seraia selected an article on sleep apnea -
Katie Vowden's mock-up illustration - an article on Yoga as Therapy
Dom Tsoi's mock up illustration for an article about dreams
Elliot Skelly's mock-up Little White Lies Cover - The Grand Budapest Hotel
Phill Darlington's short story illustration
In the second stage of the module, students select from a variety of national/international illustration awards - Macmillan Children's Book Prize, Penguin & Puffin Design Awards, Design Against Fur, Young Creatives Network Awards, D&AD student awards...
Penguin & Puffin Awards:
Jonathan Habens - 'James & the Giant Peach'
Jonathan Habens - 'James & the Giant Peach'
Emily Watkins - 'One Hundred Years of Solitude'Angie Henriques - 'Wind in the Willows'Sam Thorne - 'The Big Sleep'Chrissie Vale - 'The Outsiders' (shortlisted 2014)
Independent & Self Promo Practices
As working outside the commission has become more popular, new spaces in which audiences can engage with illustration have developed over the last decade and self-directed and authorial (Illustrator as author) approaches to both creating and presenting work are explored by many Illustrators. Work produced within this module is intended for sale so is carefully considered in terms of pricing, presentation, packaging alongside consideration of potential audiences, markets and outlets.
Deadline Day photo's for the Independent Practices module:
Ella Doherty's jewellery range
Pauline Reeve's pencil cases
Laura Week's first adventures with collectibles using resin moulds
Deadline Day photo's for the Independent Practices module:
Ella Doherty's jewellery range
Pauline Reeve's pencil cases
Laura Week's first adventures with collectibles using resin moulds
Laura's limited edition red squirrel screen prints
Toby Allen's mini concertina books - Monster's in Hats
Hand-painted china dolls by Jonthan Habens and Zoe Binner
A full range of products designed and produced by Joanna Birkett
A joker from Jordan Wray's pack of cards
Dan Budd's greek myth inspired limited edition screenprints
Self Promotion
Year two students have the opportunity to research,
design and produce creative self-promotional strategies that suit their
particular aspirations. Digital, print and portfolio outcomes are explored.
Chris Dodd's self promo mask
Haz Russell's creative CV
Sequential Image-making
Within this module our students take on the role of Illustrator as storyteller or communicator through the production of sequential images. Developing their skills in exploring image-text relationships through visual narrative, they extend their awareness of the potential contexts of Illustration and the convergence of their practice with other disciplines, such as creative writing, graphic design and animation.
Dan Budd
James Rae
Isaac Goscombe
Joe Griffiths
Kadi Vowden